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Fine Artist and Photographer Anna Porter chosen as the October/November Featured Artist at Cascade Sotheby's Lake Oswego


Bluebird Rose of Sharon, digital photography on high gloss aluminum

Lake Oswego fine artist and photographer, Anna Porter of Anna Porter Artist has been chosen as the October/November Featured Artist at Cascade Sotheby's Lake Oswego. The Opening Reception for the artist's solo exhibit will be held on the Third Thursday, October 20, 2016 from 4:00PM to 7:00PM and is open to the public. The exhibit will feature the artist's works of art from nature, including her brilliant watercolor and acrylic paintings and photography from her beautiful gardens, Anna's Gardens, at her home studio in Lake Oswego, Oregon, as well as paintings and photography by the artist from other public gardens in Portland, Oregon, and favorite places throughout the Pacific Northwest. 

 

 

Recently, Anna Porter was one of the participating artists in the Lake Oswego Plein Air Paint Out from September 22-25, 2016.  An annual event sponsored by the Arts Council of Lake Oswego, local Lake Oswego artists paint outdoors "en plein air" at locations throughout the city. Three of her paintings from the event will appear in the Arts Council of Lake Oswego (http://artscouncillo.com)'s Lake Oswego Plein Air Exhibit at 510 Museum & ARTSpace, located at the corner of B Avenue and Second Street in Lake Oswego, Oregon from October 7, 2016 to October 28, 2016. 

 

Many of the artist's works recently were featured in her first showcase in the RAWArtists Portland Showcase VERVE at The Roseland Theater in Portland, Oregon on September 29, 2016. An active member of Oregon Society of Artists, Anna Porter's paintings and photography appear regularly in group exhibits in the Gallery at Oregon Society of Artists in Portland, Oregon, where her stunning abstract realism painting, In Full Bloom, won Best in Show at the 2015 Portland Rose Festival Art Show, and her beautiful ethereal painting, Harmony at Twilight won Honorable Mention at the 2016 Portland Rose Festival Art Show. 

 

 

Anna Porter is thrilled to have the first solo exhibit of her professional artistic career in Cascade Sotheby's beautiful offices in the city of Lake Oswego, Oregon, where Anna has resided with her artist husband, George Porter, for over 25 years, and where the couple raised their only daughter, Christina Lynn Porter, who is currently completing a Ph.D. in Physics at the University of Colorado in Boulder, Colorado.

 

"I am so excited to be able to share my love of nature, and especially the images from my gardens at my home in Lake Oswego, Oregon, where I truly feel blessed to have lived all these years. My hope is that my artwork will help people notice and appreciate the beauty that is all around us, and that they will experience the same sense of awe and tranquility that I do in nature. I hope they enjoy looking at my art as much as I did creating it." ~ Anna Porter

 

Known for her use of vivid colors and a high key palette in her paintings, and the ability to capture brilliant colors and details in her floral photography, the show is sure to brighten the grey days of late October and November frequently experienced here in the Portland area.

 

 

Anna Porter invites you to join her for the Opening Reception of her solo exhibit at Cascade Sotheby's, 310 North State Street, Lake Oswego, Oregon 97034 from 4:00PM to 7:00PM on Thursday, October 20, 2016. The exhibit continues through November 16, 2016 and is open to the public during normal business hours, Monday to Friday 9:00AM to 5:00PM.

 

 

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BUY ADVANCE TICKETS TO RAWArtists Portland VERVE ONLINE thru SEPT 28TH and SAVE


Buy Advance Tickets to RAWArtists Portland VERVE from Anna Porter Artist thru Sept 28th

I am pleased to announce that the Advance Ticket purchase deadline for RAWArtists Portland Showcase VERVE at The Roseland Theater on Sept 29th at 7:00PM has been  extended and you can buy tickets from Anna Porter Artist at http://rawartists.org/annaporterartist THROUGH SEPTEMBER 28th.

 

SAVE $5.00 OFF THE DOOR TICKET PRICE AND GET A FREE RAFFLE TICKET!

 

Save $5.00 off the door ticket price and get a free raffle ticket for a free limited edition fine art print by Anna Porter Artist WHEN YOU PURCHASE YOUR ADVANCE TICKETS ONLINE AT http://rawartists.org/annaporterartist BY SEPTEMBER 28th !

 

You could win a beautiful signed limited edition fine art print of one my artworks featured in the show! 

 

 

 

 

For more information, please check out my RAWArtists Profile at http://rawartists.org/annaporterartist. Use the BUY TICKETS button there to purchase tickets from me and then simply pick up your free reserved raffle ticket at my booth upstairs at The Roseland Theater, 8 NW Sixth Avenue, Portland, OR 97209 on Sept 29th and enter it in the drawing at the show!

 

Doors open at 7:00PM. 21+ ONLY PLEASE!

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ANNA PORTER ARTIST AT RAWARTISTS PORTLAND SHOWCASE VERVE ON SEPT 29, 2016


Anna Porter Artist-RAWArtists Portland Showcase VERVE-September 29, 2016

Please join Anna Porter Artist at RAWArtists Portland Showcase VERVE on September 29, 2016!


PURCHASE ADVANCE TICKETS ON MY RAWARTISTS PROFILE PAGE AND SAVE at http://rawartists.org/annaporterartist!

 

 

Roseland Theater

8 NW 6th Ave

Portland, OR 97209

SEPTEMBER 29, 2016

7:00PM TO 11:00PM 


RAWArtists Portland Showcase presents: VERVE 

  • Art
  • Film
  • Photography
  • Music
  • Performance Art
  • Fashion
  • Jewelry and Accessories
  • Hair/Makeup

Portland Artists from every genre under one roof for one night only!

 

PURCHASE ADVANCE TICKETS ON MY RAWARTISTS PROFILE PAGE at http://rawartists.org/annaporterartist

AND RECEIVE A FREE RAFFLE TICKET FOR A LIMITED EDITION FINE ART PRINT!


Advance Purchase Ticket Price: $15.00 plus $2.95 online fee

Door Ticket Price: $20.00

21+ Only Please

 

Your advance ticket purchase on my RAWArtists Profile helps support my participation in the show.

Everyone who purchases an advance ticket through my RAWArtists Profile will receive a free raffle ticket for a fine art print of one of my works featured in the show. Drop by my booth at the Showcase to fill out your free raffle ticket and enter it in the drawing.

 

Thank you kindly in advance for your support! It is going to be a fun evening and I am looking forward to seeing you at VERVE! 

 

Anna Porter

Fine Artist and Photographer

RAWArtists Portland Showcase VERVE

http://rawartists.org/annaporterartist

Contact Anna Porter Artist

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Drift Creek Falls, watercolor by Anna Porter


Drift Creek Falls, watercolor by Anna Porter Artist

Drift Creek Falls, watercolor on 140 lb. cold press paper, 25" X 19" (framed dimensions), copyright ©2016 Anna Porter Artist,. 

 

Recently featured in the "Urban & Rural Landscapes" Exhibit at Oregon Society of Artists in December, 2015, Drift Creek Falls by Anna Porter is a contemporary abstract landscape in watercolor, painted by the artist in her signature palette of clear high key colors. The painting is now available for purchase on the artist's website here: http://annaporterartist.com/workszoom/2006341.

 

The 19" X 13" watercolor painting is matted with a white bevel cut single matte and professionally framed by the artist in a 3/4 inch dark cherry wood frame. Framed dimensions are 25" X 19". 

 

Price shown includes shipping in the continental United States. For shipments to Hawaii, Alaska and international orders, please contact the artist for a shipping quote. 

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Works by Anna Porter included in Concordia University's Tribute to Oregon Society of Artists


Works by Anna Porter included in Concordia University's Tribute to Oregon Society of Artists

I am honored and thrilled to have some of my paintings and photography included in Concordia University’s Tribute to Oregon Society of Artists, January 17 to February 26, 2016, George R. White Library & Learning Center, 2800 NE Liberty Street, Portland, OR 97211. Please join us this Sunday, January 17, 2016 from 2PM to 4PM  for the Opening Reception. The exhibit and catered reception are FREE and OPEN TO THE PUBLIC. Many of the works on display are available for purchase, and 30% of the proceeds benefit Concordia University's Multicultural Arts & Events program. For more information, please contact Linda Church, [email protected], (503) 493-6370.

 

 

I have had the privilege of being a member of Oregon Society of Artists since 2012, and I show my work in the OSA Gallery at 2185 SW Park Place, Portland, OR 97205 on a regular basis in monthly group exhibits. Oregon Society of Artists is a 501(c)(3) non-profit organization dedicated to the education and nurturing of talent in the arts. For more information about Oregon Society of Artists, or to apply for membership, please visit www.oregonsocietyofartists.com, drop by the OSA Gallery, email [email protected], or call (503) 228-0706. 

 

My hope is that my paintings and digital photography in Concordia University's "Tribute to Oregon Society of Artists" will help you notice and appreciate the beauty that is all around us, and that you, too, will experience the sense of awe and tranquility that I do in nature. I hope you enjoy looking at my art as much as I did creating it, and that you enjoy the show. 

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Tribute to Oregon Society of Artists at Concordia University Opens January 17, 2016


Tribute to Oregon Society of Artists at Concordia University January 17-February 26, 2016

I am thrilled to be participating in the Tribute to Oregon Society of Artists Fine Art Exhibit in the George R. White Library and Learning Center at Concordia University located at 2800 NE Liberty Street, Portland, Oregon 97211. 

 

 

This exhibit features 2D and 3D art created by members of Oregon Society of Artists, a 501(c)(3) non-profit organization dedicated to the education and nurturing of talent in the visual arts. 

 

Please join us for the Opening Reception of Tribute to Oregon Society of Artists on January 17, 2016, 2PM to 4PM in the George R. White Library and Learning Center at Concordia University. The exhibit and catered Opening Reception are FREE and OPEN TO THE PUBLIC.

 

30% of the proceeds from the sale of artwork benefit Concordia University's Multicultural Arts & Events Program. 

 

A few of my paintings featured in this exhibit include:

 

In Full Bloom, watercolor, Best in Show, 2015 Portland Rose Festival Art Show

 

Fiji Dreams, watercolor,  featured in "stirring the waters" by Colleen O'Sullivan, Tui Motu Interislands Magazine, September 2015 Issue

 

Double Peony, watercolor, featured on the poster for the 2013 Palouse Watercolor Socius Four State Juried Watercolor Competition

 

Self-Portrait, watercolor, 2005 William Dyas (Bill) Garnett Memorial Award, Portland Community College, North View Gallery

 

Also featured in this show are several paintings by fine artist George Porter from his recent solo exhibit "After the Masters: Light in the Landscape" at Stone Center, Inc., May-Nov 2015, as well as new works by the artist:

 

Luminism:

 

Hopi Village-Arizona, study by George Porter after Thomas Moran

 

Green River Cliffs of Wyoming, study by George Porter after Thomas Moran

 

Evening on the Seashore, study by George Porter after J. Hamilton

 

Impressionism:

 

Bridge at Argentuille, study by George Porter after Claude Monet

 

Lady Agnew of Lochnaw, study by George Porter after John Singer Sargent

 

Bouquet of Flowers, study by George Porter after Edouard Manet

 

Tribute to Oregon Society of Artists will be on display in the George R. White Library and Learning Center through February 26, 2016. Please contact Linda Church, Multicultural Arts & Events, Concordia University for more information.  


 

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In Full Bloom by Anna Porter, Best in Show, 2015 Portland Rose Festival Art Show


In Full Bloom by Anna Porter, Best in Show, 2015 Portland Rose Festival Art Show

In Full Bloom, Best in Show, 2015 Portland Rose Festival Art Show, watercolor & Golden fluid acrylic on Arches 140 lb. hot press paper, 28 X 28 inches (framed), copyright ©2015 Anna Porter Artist (Website: https://www.annaporterartist.com, Instagram: @annaporterartist, Facebook: AnnaPorterArt, Pinterest: @annaporterart, Twitter: @annaporterart, Tumblr: annaporterartist, Fine Art America: annaporter).

 

So very thrilled that my painting, In Full Bloom, watercolor & Golden fluid acrylic on Arches 140 lb. hot press paper, 28 X 28 inches (framed) was accepted into the juried 2015 Portland Rose Festival Art Show, June 7th - July 10th, and won the Best in Show Award. I was extremely honored to accept this award on Sunday, June 7, 2015 at the Opening Reception for this venerable art show, that is held each year at Oregon Society of Artists (http://www.oregonsocietyofartists.com, Facebook: oregonsocietyofartists). Located at 2185 SW Park Place, Portland, Oregon 97205 (on the N.E. corner of St. Clair & Park Place), (503) 228-0706, the OSA Gallery is open to the public Monday to Saturday 1:00PM to 4:00PM (closed Sundays and holidays). This year the juror for the show was renowned sculptor and painter Geoffrey McCormack (http://www.mcsurf.com). The 2015 Portland Rose Festival Art Show is an officially sanctioned Rose Festival Event (Website: http://www.rosefestival.org , Instagram: @pdxrosefestival, Facebook: PortlandRoseFestival, Twitter: @PDXRoseFestival). 

 

This is a beautiful show, filled with award-winning paintings of Roses, Portland Scenes and Rose Festival Scenes, all part of the "Bloomin Good Time" theme. It is sure to delight everyone who enjoys fine art, flowers (especially roses), Portland and the many fun activities surrounding the annual Portland Rose Festival. The OSA Gallery is located just a couple of blocks below the entrance to Washington Park (Map It!), within walking distance to one of my favorite gardens in the city, the Portland International Rose Test Garden. I will be sitting the OSA Gallery in the afternoon on Wednesday, July 1, 2015 and I would love to see you there!

 

I love roses. They are my favorite flower. I love painting roses, photographing roses, and planting roses. I could not be happier to have my first Best in Show award be for my painting of this beautiful rose. To create this painting, I referenced an original photograph that I took of a beautiful pink rose, titled "Pink Rose Inside". As with most of my floral paintings, I am drawn to the abstract shapes and colors that I see in nature and in my photography. I drew the major lines in the flower lightly in pencil on Arches 140 lb. hot press paper, created an underpainting in washes of watercolor to capture the abstract shapes that caught my attention, and applied glazes of Golden fluid acrylic to intensify and bring out beautiful colors that appeal to me. I finished it with line details in both watercolor and Golden fluid acrylic. The painting is float mounted on an off-white matte and beautifully framed in a cherry-colored wood frame. Sincere thanks to Macadam Frame Central Portland (Website: http://framecentral.com, Facebook: Macadam Frame Central Portland) in John's Landing for the stunning job that they did custom framing this painting for me with a one day turnaround.

 

A limited edition print (giclee) of the original painting will be created at the end of the show, after July 10, 2015, and is available for purchase on my website HERE. 

 

Huge thanks to Oregon Society of Artists, the 2015 Portland Rose Festival Art Show, and juror Geoffrey McCormack, for this wonderful honor. 

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A perfect idea of freedom and flight, watercolor and pastel pencil, by Anna Porter on display at Oregon Society of Artists Gallery, Dec 2014


A perfect idea of freedom and flight, watercolor and pastel pencil, copyright 2014 annaporterartist



"He was not bone and feather but a perfect idea of freedom and flight, limited by nothing at all" ~Richard Bach, Jonathan Livingston Seagull A perfect idea of freedom and flight, view of Goat Island from Clackamette Park, watercolor and pastel pencil by Anna Porter Artist. This painting, begun en Plein Aire during the Plein Aire Painters Paint Willamette Falls Festival event in Oregon City, Oregon in October 2013, is now on display as part of the group show, Urban and Rural Landscapes at the Gallery at Oregon Society of Artists, 2185 SW Park Place, Portland, Oregon, 97205. Gallery hours are Monday to Saturday 1:00PM-4:00PM, closed Sundays and holidays. Show runs through January 9, 2015. Anna Porter will be available at the Gallery on the afternoon of January 8, 2015 to answer any questions that you may have about this painting, which was previously featured in a juried show at City Hall Gallery in Oregon City with other paintings from the Wllamette Falls Festival from December 2013 to April 2014. After January 9, 2015, "A perfect idea of freedom and flight" will be available for purchase on the artist's website at www.annaporterartist.com. For more information, please contact [email protected].

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Anna Porter Artist at Oregon Society of Artists Gallery Oct 16-21-29


Gallery Open - Not Just Portraits and Figures Show at Oregon Society of Artists, photo above by @annaporterartist


I am sitting The Gallery at Oregon Society of Artists today. It is a beautiful day to get out and see some art and enjoy a stroll around this beautiful NW Portland neighborhood! Spend a little down time in our gallery and sunny garden! Not to be missed, the "Not Just Portraits and Figures" show runs through October 31, 2014. Gallery open Mon. to Sat. 1:00 PM to 4:00 PM. 2185 SW Park Place, Portland, OR 97205. You can read my review of the show in my art blog at http ://annaporterartist.com/blog/82297/works-in-portraiture-by-anna-porter-on-display-at-oregon-society-of-artists-oct-2014 I have two portraits in the show and I will be sitting the gallery in the afternoons on October 16, 21 and 29, 2014. I would love to see you there! Drop by and see the show. You will be glad that you did!

Photo of Oregon Society of Artists gallery and gardens by Anna Porter, copyright 2014 @annaporterartist, iPhone5, edited in #Snapseed, layout in #fuzel @fuzelapp .

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Using iOS apps to create new works of art aka How I created Death of a Dahlia Abstracted


death of dahlia abstracted, digital painting in superphoto and aviary, copyright 2014 Anna Porter Artist

One of the really fun things about smartphones and tablets is the plethora of new digital photo editing and painting applications that are available to turn your digital photographs or photos of your paintings into new interesting works of digital art. Two of my favorite applications are SuperPhoto by Moonlighting.io and Aviary's Photo Editor. I use both apps on my Apple iPhone 5, and they are both available on Apple's new iPhone 6/6s as well. This blog post shows step by step how I took a great digital photograph of a dead dahlia blossom with my iPhone 5 camera and turned it into a finished piece of abstract art in literally a few minutes.

 

To create this piece, I first took a digital photograph of a dead dahlia blossom that I saw on my daily dog walk. I liked the textural nature of the dead petals and felt a pang of sorrow at its passing. Just a couple days before I had taken a digital photo of its sibling in full bloom in all of its shining glory.

 

Step 1 - Take a great digital photo.

 

Death of a Dahlia, original digital photograph by Anna Porter Artist.

 

In this case, I took the photo with my iPhone 5 because that is what I had with me at the time. Had I been on a walkabout with my Canon EOS Digital Rebel, I could just as easily have taken this image with my DSLR camera, although getting it to my iPhone 5 to use my iOS photo editing apps would then take a couple more steps. I would first have to transfer the image from my DSLR camera to my Apple iMac computer using Image Capture, iPhoto or Aperture, and then share it with my iPhone 5 using Apple's iCloud service, or save it to my Dropbox or something similar, so that my iPhone 5 could access the image.

 

While I really liked this digital photograph in and of itself, I decided that I would play with it a little in SuperPhoto to see what else I could create. When I got back to my studio, I opened the SuperPhoto app on my iPhone 5 and selected "New Additions" from the list of possible filters and effects. You can download the SuperPhoto app for free in the Apple iTunes Store. You can purchase an incredible number of special effects from within the SuperPhoto app, and Moonlighting.io comes out with new effects on a regular basis. Or you can use some of the basic effects that come with the free app. There is a very creative group of developers over at Moonlighting.io and the sky is the limit in terms of what you can do by layering different effects in SuperPhoto (and SuperPhoto is only one of the many applications offered by Moonlighting.io).

 

To create this piece, I opened the SuperPhoto app on my iPhone 5 and selected the SuperPhoto "Shattered" Effect. 

 

Step 2 - Open the SuperPhoto app, select the Shattered Effect and the photo that you want to use it with:

 

 

Step 3 - Depending on which Superphoto effect you choose, you will either be given the opportunity to "paint" a part of the original digital photograph that you want to edit using the pencil and eraser tool (Step 3), or SuperPhoto will begin working its magic on the whole image (Step 4). In this case, I was presented with the "Paint your selection" screen below. You can be as finely detailed as you need to be in order to select the part of the image that you want to "paint"  by varying the size of the pencil or the eraser (use the slider with the round white button at the bottom of the screen to change the size). Then simply use your finger to paint the part of the image that you want to use.  If you overstep your boundaries, you can use the eraser tool to remove the unwanted "painted" area. Press the checkmark in the upper right corner of the screen when you are finished.

 

 

Step 4 - Wait a few seconds while SuperPhoto spins its magic. A lovely butterfly flaps its wings letting you know that your photo is undergoing metamorphosis and is about to be transformed. 

 

 

It took about 1.5 seconds to process this edit on my 64 GB iPhone 5 running iOS 8.0.2. ( I had to snap that screenshot fast!)

 

Step 5 - SuperPhoto Shattered effect applied to my Death of a Dahlia Et voila!

 

 

Nice work, but I wanted to heighten the colors a bit. So I saved the newly created SuperPhoto image back to my camera roll on my iPhone 5. I could have applied another effect within SuperPhoto to do this, but instead I decided to use the Aviary Photo Editor app on my iPhone 5. In addition to pre-packaged effects, Aviary has an easy-to-use advanced image editor and text editor so you can sign your artwork in the app.

 

Step 6 - Save the new SuperPhoto creation to your device.

 

 

At this point I could have shared my new creation using the SuperPhoto Share option, or submitted it to SuperPhoto's User Creations gallery to be considered for a feature on Moonlighting.io.  But because I still wanted to work with the image a little more in the Aviary Photo Editor on my iPhone 5, I instead chose to save the new creation to my iPhone 5's camera roll by selecting Save.

 

Next I opened the Aviary app on my iPhone 5. The Aviary app immediately goes to your camera roll by default to let you upload a photo for editing. You can tell it to go to other albums by pressing the album button at the bottom of the screen, or you can take an original picture with the camera button at the bottom of the screen. I selected the SuperPhoto creation that I had just saved to my camera roll. When you download the Aviary app from the Apple iTunes App Store, it comes with a several original effects for customizing your photos, as well as simple and advanced editing tools. You can purchase additional effects, frames, stickers and bundles from within the app. I really liked what I did already with the SuperPhoto app, so I just used the simple Enhance options at the bottom of the Aviary Photo Editor screen.

 

Step 7 - Open Aviary app and select the SuperPhoto creation from the camera roll.

 

 

Step 8 - Select Enhance from the Photo Editor main menu at the bottom left of the next screen that appears.

 

 

Step 9 - Select the Enhance effect that you want to apply to your image:

 

(a) Hi-Def

(b) Scenery

(c) Food

(d) Portrait

(e) Night

 

 

From left: Step 9 - Enhance options (a) to (e) applied to my SuperPhoto creation.

 

For this image, I really liked Option 2 - Enhance Scenery, so I selected it and then pressed Apply at the top right of the Aviary screen. As I am writing this article, Option 5 - Enhance Night is also calling to me, and so I think I will return to the app and save that version at a later time as well. Had I chosen Effects, Frames or Stickers instead of Enhance, in Step 8 above, I could have applied any of the myriad of effects, frames or stickers that either came with the Aviary app, or that I purchased later from within the app. All of these effects can be applied at the press of a button and the Aviary Photo Editor provides an instantaneous preview of the edited artwork.

 

One of the things that I love about the Aviary Photo Editor is that it not only has great filters and effects that you can easily and quickly apply to your photos, it also has an advanced image editor and text editor built into the app, so you can do more complicated edits like:

 

▪️ adjust the brightness, contrast, warmth and saturation

▪️ improve the sharpness

▪️ change the orientation

▪️ crop the image to several standard sizes or a custom size

▪️ alter the focus of the image with a radial or linear tool

▪️ create a color splash by removing all color in the image and painting the color back in selected areas

▪️ whiten (bleach) selected areas

▪️ fix a blemish or remove red-eye in a portrait, or de-emphasize an area by blurring it, PLUS

▪️ you can sign your newly created artwork right in the app without having to export it elsewhere for text editing.

 

Step 10 - Select Text from the Aviary Photo Editor main menu.

 

Since I was happy with the heightened colors provided with the Enhance - Scenery effect, all that was left to do was sign my new masterpiece, so I scrolled the main menu at the bottom of the Aviary Photo Editor screen to the right by swiping my finger to the left, and selected Text.

 

 

Step 11 - Once in the Text Editor you simply use the options from left to right to:

 

(a) choose your text font

(b) choose your text color

(c) enter your text

(d) position your text by dragging it where you want it to appear; and

(e) size your text by sliding the white button with the double arrow on it.

 

From left: Step 11 - Aviary Text Editing Options (a) to (e) above.

 

Then simply press Apply at the top right on the screen to apply the text to your photo, then Save to save your finished work.

 

Step 12 - Apply text and save Photo.

 

 

 

Step 13 - Share your new artwork.

 

When you press Save, the Aviary app brings up the Share screen that allows you to share your artwork on social media (Instagram, Facebook, Twitter), email it to a friend, print it at Walgreens, send it in a Text Message, etc. If you want to save your new creation to the camera roll, simply press Done.

 

 

Step 14 - You did it (or in this case I did it)!

 

 

Death of a Dahlia Abstracted, digital painting created in Superphoto and Aviary from a photo of a dead orange dahlia blossom near my artist gardens, annasgardens. 

 

Fine art prints of Death of a Dahlia Abstracted  are available for purchase in my Fine Art America Gallery in various sizes, printed with archival inks on acid-free stretched canvas and fine art papers to create museum quality works of art that last a lifetime. Choose from prints on professionally stretched canvas, acrylic, metal, fine art papers (framed or unframed), greeting cards, and iPhone and Samsung Galaxy smartphone cases. Prices start at $22.56 for an 8 x 8 inch unframed fine art print on luster photo paper, not including shipping. Various sizes up to 36 X 36 inches are available for this image.

 

Please click on this link: http://fineartamerica.com/featured/death-of-a-dahlia-abstracted-anna-porter.html for a complete list of products and prices. You can also download the PDF Sales Sheet for Death of a Dahlia Abstracted. 

 

 

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Works in Portraiture by Anna Porter on display at Oregon Society of Artists-Oct 2014


works in portraiture by Anna Porter on display at Oregon Society of Artists-Oct 2014

So thrilled to have two of my paintings included in the Group Show "Not Just Portraits & Figures” in The Gallery at Oregon Society of Artists from October 5, 2014 to October 31, 2014.

 

At left, "Four Eyes, Portrait of Chrissy", golden fluid acrylic on canvas, was painted from a photo of my scientist daughter wearing her “four eyes” in the lab:
 
 
I painted this portrait from a photo of my scientist daughter when she was wearing her "four eyes" in the lab using a grid technique employed by master portrait artist Chuck Close. I cropped the photo to 9"L X 7"W and applied a one inch grid to it. Each one inch square on the photo became a two inch square on the 18"L X 14"W canvas. I painted the colors and shapes that I saw in each square of the grid directly (no drawing). As if by magic, as each gridded square was completed a very realistic portrait emerged. This process is an excellent exercise to improve color mixing and observation skills as you move from square to square. While I found it a somewhat tedious way to paint (I prefer more movement around the canvas or paper and freer brush strokes when I paint), the results were very good indeed.
 
At right, "Self-Portrait", transparent watercolor on 140 lb. cold press paper, was painted from life (looking in a mirror):
 
Created from life (looking in a mirror), this self-portrait won the Bill Garnett Memorial Award at PCC's Northwest Gallery in 2005. William Dyas (Bill) Garnett was one my art instructors at Portland Community College, and I learned a tremendous amount about life drawing and painting from him. He died tragically from cancer in 2005 and this award "For an artist whose work reflects the spirit of William Dyas Garnett who explored issues of tradition, craft, and classical beauty in his drawings, paintings and figure studies" means more to me than words can express. Bill Garnett was a great artist and a great teacher, and his spirit lives on in every one of his students.
 
These paintings are not for sale; however, I am accepting commissioned portrait work. Please contact me at [email protected] if you are interested in having a portrait painted.
 
There are some exceptional works by OSA artists in this show. A few of my favorites:
▪️ Two colorful portraits of Native Americans by one of my favorite watercolor artists and friend, Lynda Raven Brake, who brings her noble figures to life in beautiful washes of transparent watercolor. Lynda’s command of the medium is superb.
▪️ Two riveting and edgy paintings by artist Christopher Mooney that command your attention with his use of color to portray mood and large format canvases that bring the viewer up close and very personal.
▪️ A delightful little oil painting of a bunny by artist Lorraine Bushek, who used a beautiful combination of colors and the special qualities of the medium to create a glowing gem of a painting.
 
Virtually every painting in this intimate show is well worth the visit to Oregon Society of Artists for a viewing. The Gallery is open Monday to Saturday 1:00 PM to 4:00 PM. It is located at 2185 SW Park Place, Portland, Oregon 97205 (corner of St. Clair and Park Place). Telephone (503) 228-0706. Opening reception and awards Sunday, October 5, 2014 from 1:00 PM to 4:00 PM.
 
I will be sitting the Gallery in the afternoons on October 16, 21 and 29, 2014 and I would love to see you there! Drop by and check out this show!

 

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Duck Parade on the Beach by Anna Porter Artist


Duck Parade on the Beach

duck parade on the beach, watercolor and acryla gouache, 2014

I created this painting from a photograph that I took of a flock of canadian geese and ducks parading on the beach at Clackamette Park in Oregon City when I was participating in the Willamette Falls Festival Plein Aire Artists event in October 2013. I was captivated by the beautiful ducks who let me get very close to take the original photograph. I decided to paint the scene in a more contemporary manner, with the rock shapes more abstract and the ducks more realistic. I kept the colors bright and vivid, using layers of transparent watercolor for the most part, augmented with acryla gouache for depth of color and opacity as required. The painting is 12 in. x 12 in. and is painted on professional quality 140 lb. cold press watercolor paper, unframed. It is available for purchase on my website for $400.00 USD unframed plus shipping. Framing is available for an additional cost. Price and shipping costs shown are for the unframed painting. Please contact the artist at [email protected] for a quote if you would like it framed.

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Recent Additions to my Landscape Paintings Collection


a perfect idea of freedom and flight, watercolor and pastel pencil

 

Recent additions to my Landscape Paintings Collection on my website include:

 

the gathering at sunset, 2013, watercolor

 

 

as the mist rises, 2013, watercolor and pastel pencil

 

 

mt hood from timberline lodge, 2005, watercolor

 

 

These three paintings recently appeared in the Landscapes-Urban and Rural show at the Gallery at Oregon Society of Artists for the month of December, 2013 and are now available for purchase on my website in my Landscape Paintings Collection. 

 

I love painting outdoors "en plein aire" in the beautiful Pacific Northwest. I am happiest when surrounded by the beauty of nature, whether I am in the mountains, on the banks of a river, by the ocean, on vacation in a far-away place, or in my own artist gardens at my studio in Lake Oswego, Oregon.

 

In October, 2013, I had the pleasure of participating in the second annual Plein Aire Painters Paint Willamette Falls Festival event in Oregon City, OR, which is where I began my painting as the mist rises, 2013, watercolor and pastel pencil, shown above.

 

I was delighted to have another painting: a perfect idea of freedom and flight, watercolor and pastel pencil (shown above) and two photographs, willamette river reflections and duck parade on the beach  (See my Facebook Post), that I took on location in Clackamette Park, accepted into the exhibit sponsored by the Clackamas County Arts Alliance at the City Hall Gallery in Oregon City, OR.

 

This exhibit is on display from December, 2013 through April, 2014 and is open to the public for viewing by appointment. Please contact Oregon City Hall prior to arrival to confirm viewing dates and times. 

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Purchase three Beautiful Prints by Anna Porter Artist at the OSA Gallery, October 2013


fall leaves-portland japanese gardens-orange maple leaves, 2005, canvas print

I am pleased to announce that I am participating in the October Fine Art, Photography and Print Show at Oregon Society of Artists, 2185 SW Park Place, Portland, OR 97205  for the month of October, 2013. In addition to the three prints shown here that are featured in the show, I have a canvas rack with an assortment of my original artwork, collector photography books, photography prints, canvas prints and fine art cards available for purchase. Now is your chance to get some great prices on amazing artwork by all of the participating artists in this month's show at the Gallery at OSA.

I will be sitting the OSA Gallery on Tuesday, October 15, 2013 and Saturday, October 26, 2013 and would love to see you in person then to answer any questions that you may have and to give you a private tour of all of the exceptional artwork on display this month. Show runs through November 1, 2013. Gallery hours are Tuesday to Sunday, 1:00PM to 4:00PM. Closed Mondays and holidays.

fall leaves-portland japanese gardens-orange maple leaves 2005, canvas print, copyright 2013 annaporterartist

annasgardens-magnolia, 2011, canvas print, copyright 2013 annaporterartist

Abstract Rose in Fuschia, Yellow and Orange (A Rose by Any Other Name), 2013, acrylic print, copyright 2013 annaporterartist

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Anna Porter will be at Oregon Society of Artists this Sunday 09-22-2013 1-4P to discuss her painting, Textural Plantings, in the 2013 Fall Juried Show


Textural Plantings, watercolor and watercolor crayon, copyright 2013 annaporterartist

Anna Porter, Fine Artist and Digital Photographer, will be sitting the Gallery at Oregon Society of Artists this Sunday, September, 22, 2013 from 1:00PM to 4:00PM! Meet the artist to view and discuss her painting, textural plantings, watercolor and watercolor crayon, and get a personal tour of all the beautiful artwork on display in the 2013 Fall Juried Show! Mark your calendar! 

Note from the Artist:

I am so thrilled and excited that my watercolor and watercolor crayon painting, textural plantings, was accepted into the 2013 Fall Juried Show at Oregon Society of Artists, 2185 S.W. Park Place, Portland, OR 97205. Gallery hours are Tues. to Sun. 1:00PM to 4:00PM (closed Mondays and holidays). Show runs from 09-08-2013 to 10-03-2013. Hope to see you this Sunday afternoon 09-22-2013! I am looking forward to meeting you at the Gallery at Oregon Society of Artists, where I will be available to discuss my painting in more detail and answer any questions that you may have. I am also delighted to be able to give you a personal tour of all the beautiful artwork on display in this year's 2013 Fall Juried Show at OSA! Don't miss it! 

This original painting is available for purchase $500.00 USD. Contact [email protected] for more information.

A poster for the painting is available for purchase in my Instacanv.as Gallery here:

http://instacanv.as/annaporterartist/piece/538769493010568782_33853476

Anna Porter

Anna Porter Artist

Fine Art and Digital Photography

email: [email protected]

website: http://annaporterartist.com

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Painting Winter's Light


Winter’s Light, acryla gouache on canvas

Lessons Learned Painting the Colors of Winter

in a workshop by Nancy Smith Klos at Klos Studios

By Anna Porter Artist

When Nancy Smith Klos at Klos Studios posted a flyer at Oregon Society of Artists earlier this year announcing a new workshop that focused on painting the colors of winter, I jumped at the opportunity. Long a fan of Claude Monet’s beautiful and subtle winter scenes, I was thrilled to learn that one of the paintings that we would be studying in the workshop in order to analyze the colors of winter was his famous La Pie (The Magpie).

I am the kind of artist that likes to jump in and start painting, so Nancy’s approach to having us first do a color wheel and mix together all of the complementary colors was, well, I have to admit, a little annoying at the time. But I am glad that I did it! Nancy knew something important about the colors of winter — that mixing complementary colors produces a vast array of beautiful neutrals that are very helpful when painting winter scenes.


To create our palettes, Nancy introduced us to a new medium for me, acryla gouache. That’s right! An acrylic and gouache polymer emulsion made by Holbein. In art school I had learned that acrylic and gouache don’t mix particularly well, but apparently Holbein did not get that lesson. This medium mixes well, has less of the margarine-y feel of acrylic that I hate, and DRIES FAST, so you have to WORK FAST! I usually paint slow as a snail so I knew this definitely was going to be a challenge! Nancy had us work from a 12 color Holbein set of acryla gouache. We began by mixing our primary red, primary yellow and primary blue (the set has a warm and cool red in it which we used to mix a primary red and so on). From there we mixed our secondary colors and one color in between each, which we arranged on a standard color wheel. Then the fun began! We mixed the opposite colors on the color wheel in varying degrees to come up with a beautiful array of neutrals.


I loved the next exercise! We looked at photos of winter scenes painted by Claude Monet, Childe Hassam, and Albert Bierstadt (among others) and selected one for a quick study. I selected Snow Impressionism (Fig. 1 below), a photo of a section of La Pie (The Magpie) by Claude Monet that Nancy provided. I referenced it and the color wheel that I had created the day before to create my palette.

 

 

To mix a winter palette that closely represented the colors that I saw in the reference photo, I created a dark by blending my primary red with my secondary green (both mixed from the colors in the Holbein set). To this color, I added white to create lighter versions of this dark, and Payne’s Grey to create my darkest dark. I used this same process, adding Titanium White or Jet Black (provided in the set) or Payne’s Grey (provided by Nancy) to each of the primary colors and complementary color mixes that I had learned how to create in the previous workshop session, to come up with a palette that closely matched the colors that I saw in the reference photo (See my palette in Fig. 3 above). I painted a daub of each color on note paper and made some cryptic notes beside each stating how I had arrived at it. (Note to self - be a little less cryptic and a little more organized next time!) 

That done, I did a quick painted sketch of a section of La Pie (The Magpie) from the reference photo (Fig. 1 above). And I mean quick - that paint was drying fast! I was pleased with the outcome (See Fig. 2 above), even though it was a little too pinkish in the snow (but then I do tend to see the world through rose colored glasses) and my Magpie obviously had been dining a little too well compared to Monet’s graceful bird! While I had not replicated the photo or Monet’s beautiful painting exactly, I had learned how to mix most of the colors. I was excited and looking forward to the next session of the workshop.

For the home stretch, Nancy had us bring in a photo of our own choosing for our final painting. I selected a lovely photo of my artist gardens from my Winter 2008 photography book that I had created for my family and published myself using Apple iPhoto and publishing services.

“In December, 2008 we had an unusual and plentiful snowfall in the Portland, OR area that lasted for two weeks instead of the usual two days, and I thought that this would be a great subject for my painting.”

 Anna Porter Artist

I sketched in the major elements by gridding the photo (Upper Left and Right in Fig. 4 below), then set about mixing my colors. I used some of the colors that I had learned from the Monet study in the workshop and created some new colors on the fly. I was only about half-finished my painting by the end of the workshop (Lower Right in Fig. 4 below), but felt confident that I had learned the necessary skills to finish it in my home studio.

I thoroughly enjoyed this workshop by Nancy Smith Klos and highly recommend that you check out her upcoming workshops at Klos Studios and watch for her announcements in the Brushmarks newsletter published by Oregon Society of Artists. Nancy excels at breaking down a complex process into easily understood bite-size morsels and provides great feedback and individual attention along the way. She recently opened a new studio in Southeast Portland and will be having an open house there on August 22, 2013 5-8PM.

I will be sitting the gallery at Oregon Society of Artists on August 15, 2013 from1-4PM and I would love to give you a personal tour of all of the paintings on display in the Student-Teacher show, and talk to you more in person about my painting. The gallery is located at 2185 S.W. Park Place, Portland, OR 97205 and viewing hours are Tuesday to Sunday 1-4PM, except holidays. Call (503) 228-0706 for information.

You can download a copy of this blog post in PDF format here.

Anna Porter Artist

Fine Art & Digital Photography

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double peony, watercolor by Anna Porter Artist is on display at The Prichard Art Gallery, Moscow, ID


double peony, an original watercolor painting by Anna Porter Artist

Previously shown at the Oregon Society of Artists Gallery for the month of December, 2012 as part of the group show Works on Paper, I am pleased to announce and honored that my painting, double peony has been accepted into the Palouse Watercolor Socius 2013 juried four-state watercolor competition held at the University of Idaho Prichard Art Gallery (gallery shown top right in the photo below), where it is available for purchase. One of 36 watercolor paintings submitted by artists from Idaho, Oregon, Washington and Montana, double peony can be viewed at the Prichard Art Gallery from June 13, 2013 through August 3, 2013.

 

Gallery Hours:

Regular Hours: Tuesday-Saturday 10am-8pm; Sunday 10am-6pm
Summer Hours: Tuesday-Thursday 1pm-6pm; Friday 1pm-7pm; Saturdays 9am-3pm

 

This painting is also featured on the poster for the show shown below:

 


 

A little more about the inspiration for this painting:

 

Every year I wait for this beautiful red double peony to bloom in my garden. It arrives by late April or early May and never ceases to amaze me with its vibrant color, the size of its blossoms, fully 6 inches in diameter, and the beautiful frilly petals that, when fully opened, allow me to peek inside. I began the painting of  double peony in 2011 "en plein aire" in my garden and finished it in my studio from several photographic studies that I did of it when it first bloomed in 2003. It remains as vibrant in my garden in 2013 as it did then. I painted the background first - lightly sketching the abstract shapes to represent the leaves, then I applied water to the blue areas and dropped in different mixtures of deep blue, letting the colors mingle to create depth and variety. I painted some of the leaves wet in wet and others I painted individually with light washes of pastel color, leaving white space as needed. Finally I painted the abstract shapes inside each petal of the double peony by layering different hues of pink, red and magenta to accentuate the vibrancy of the peony. To create focus at the center, I built up dots of pure watercolor applied with very little water, leaving bits of white.

 

This painting stands out in a crowd and draws your attention. Its vibrant color, contemporary style and elegant black frame and white matte give modern feel to a natural painting. It is one of my favorite paintings that I have done thus far in my career. For more information, please contact The Prichard Art Gallery directly through August 3, 2013:

 

Roger H.D. Rowley
Director, Prichard Art Gallery

phone: (208) 885-3586
email:[email protected]

 

After the exhibit, you can view my original painting double peony watercolor framed on my website.

 

 

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Painting from the Subconscious - Faces in my Vegetable (work in process)


Faces in my Vegetable, 2013, acryllic (work in process)

Faces in my Vegetable, 2013, digital collage

I started a new painting class this past Saturday - a Christmas gift from my daughter who noticed that since I stopped taking art classes four years ago (due to time constraints from working two jobs and budget constraints from the recession), my painting production had slowed to a snail’s pace, even though I had created a small studio at home expressly for that purpose. I was very grateful for the class, but also intimidated. I had not taken a college-level painting class in such a long time and it was in a medium that I do not usually use - oil or acrylic. I am a watercolor artist and digital photographer. Occasionally I throw in a little golden fluid acrylic, pastel or collage in my paintings for variety, but I paint like a watercolor artist. And the process for painting in watercolor is different from the standard painting process.


But I found that I adapted very well - at least in the class. The first assignment was to paint a monochrome tone study of an object in black and white, something I never do as a watercolor artist, because I avoid both black and white like the plague when painting in watercolor. When I do rarely use black, I find it is better to mix it from the colors on my palette instead of using black out of the tube - that way the resulting black has much more depth and is more interesting, and for white I leave the white of the paper. I also love color, so I rarely do monochrome tone studies unless it is for an assignment or a special request.


My Vegetable, digital photograph (set up for painting)

Little did I know that the subject for my painting, an innocuous looking squash-shaped thing with skin that looked like a potato, would turn out to be a possessed vegetable and prove to be one of the most difficult things that I have ever tried to paint. I set up my vegetable on a desk to the right of my easel. I placed it at about a 30 degree angle pointing away from me to the left, so that it was foreshortened somewhat, and the large bottom looked even larger than it was. Because I almost never finish a painting in one sitting - a production artist I will never be - I took some photos of my vegetable, so I could finish the painting in my home studio. And that is where the fun (NOT) began …


When I tried to finish the painting from the photo instead of the actual vegetable, I just could not do it. Every stroke looked wrong. My original drawing seemed way off. I tried again and again and finally, frustrated and furious, I broke down and had a full fledged temper tantrum on it. I painted it out to start over again from scratch, something I rarely do. Usually I will keep working through a difficulty in a painting. Or stop and look at it another day, when I either see what the problem is, or I find something to like about it in its present form. Sometimes in watercolor I will wash off a painting or an area of a painting, when I overdo it; but then a faint underpainting remains as a guide. Acrylic, however, does not wash off once it has dried, and my wounded ego wanted to obliterate the source of my frustration. So obliterate it I did.


Discouraged and heartbroken, but refusing to end the day defeated, I took some pastels and tried laying in a drawing for Vegetable #2, this time having to paint it solely from the photograph of my vegetable. Had I been thinking more clearly I would have realized that painted board does not have the tooth to hold pastel, but I was not thinking terribly clearly at the time and I was determined. I drew and drew, but I could not get the drawing in perspective. Finally, exhausted from six hours in painting class and another six-eight hours of painting and re-drawing at home, I gave up, used fixative to set my drawing in the stage that it was at, and decided to sleep on it.


Faces in my Vegetable, pastel on painted clayboard (drawing for painting)

The next morning I got up and looked at my drawing, and there, plain as day, were two faces in my vegetable, one looking straight out at me and one looking backwards. I had not been aware of any faces the night before when I put down the pastels and went to bed. Even though I could now see what I needed to do to correct the drawing (it is amazing what a little sleep will do for that!), I decided to go ahead and paint what I had. I figure those faces must need to be seen. I have no clue why. But seen they will be. And so I began painting anew to see where this two-headed potato-squash thing would lead me.

For the new painting, I decided to paint only what I saw in my drawing and not to refer back to my original photograph. To me the painting was now about the faces that I saw there, and not about the vegetable vessel. Since I  had used up all of my Titanium White and Ivory Black in my previous attempt, this time I used Golden Fluid Acrylic Paynes Grey and Zinc White, Pearlescent White Pearl Liquid Acrylic and Golden Fluid Acrylic GAC 700 medium. I painted the darkest darks first, applying the paint directly on top of the pastel drawing on the painted clayboard. For the darkest areas I used Paynes Grey only mixed with a little GAC 700 medium. I mixed pure Zinc White with a little White Pearl to paint in the lightest lights. Next I created a tone range from Dark Grey to Mid-Grey to White by mixing the Paynes Grey with varying amounts of Zinc White and White Pearl. I used these mixes to paint in the rest of the painting, adding more or less GAC 700 medium, depending on the transparency that I wanted to achieve. Because the vegetable was cylindrical, I tried to make my brushstrokes follow the outward curve of the cylinder to give it more dimension.

Faces in my Vegetable, 2013, acrylic (work in process)

My final steps will be to add another semi-transparent layer for smoother blending in some areas of the painting, and perhaps to add one or more transparent layers of mottled skin to my vegetable, now that the faces in it are firmly entrenched. On the other hand, I may decide to follow the course that I stated at the outset of this second painting and make it solely about the faces that I saw in my vegetable, without concerning myself with the outer appearance of the vessel. For that reason, this artwork is still a work in process. When it is complete, it will become available for purchase on my website at http://annaporterartist.com. Check back on my website to see the final painting.


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three paintings by Anna Porter Artist on display as part of the group show Works on Paper at the OSA Gallery in December, 2012


purple dancer-acrylic, magnolia-mixed media, double peony-watercolor copyright 2012 annaporterartist

I am pleased to announce that three of my paintings, purple dancer-acrylic, magnolia-mixed media and double peony-watercolor, will be on display at the Oregon Society of Artists Gallery at 2185 S.W. Park Place, Portland, OR 97205, for the month of December, 2012, as part of the group show titled Works on Paper. There are beautiful drawings, paintings, photography and intaglios by OSA members on display this month! The show opens on Monday, December 3, 2012 and continues through Friday, January 4, 2013. Gallery hours are Monday to Friday 1:00PM to 4:00PM except holidays. This month is People's Choice - drop by the gallery before December 13, 2012 and vote for your favorite painting! I will be sitting the gallery on Friday, December 14, 2012 from 1:00PM to 4:00PM and I would love to give you a personal tour. If you have any questions about my paintings, please do not hesitate to contact me at [email protected]. Here is a brief description of the inspiration for each of my paintings and the process that I used:

back left:

purple dancer, 2011, golden fluid acrylic and acrylic on cold press paper, 21 1⁄4” x 17 3⁄8” framed I painted this 20” x 16” portrait of a dancer, whose face is partially hidden in shadow, from a black and white photograph. The painting is monochromatic in tone. I selected purple, a regal color that seemed well-matched for her demanding presence, and mixed up varying shades of it from a limited palette. I used strong contrast to highlight her striking features and bold brush strokes to match her personal style. I was captivated by her unflinching gaze, jaunty hair and beautiful long neck. The painting is unmatted and framed in a 3⁄4 inch black wood frame.

back right:

magnolia, 2012, mixed media (watercolor, gouache, watercolor pencil and pastel) on cold press paper, 20” x 16” framed

 In April, 2012 I attended a workshop by Nancy Klos of Klos Studios, the purpose of which was to practice techniques in the signature style of Georgia O’Keefe. The result of the workshop is this 12” x 9” mixed media painting of a magnolia from my gardens. Georgia O’Keefe is one of my favorite female artists. I love her abstract shapes, pure, bold colors, amazing edge control in watercolor, and the way her paintings draw you in and make you notice the exquisite details in her flowers and landscapes. I cropped a photograph that I had taken of a magnolia that is growing in my studio gardens for the workshop. After doing a sketch of the flower and a contour drawing of the main petals on watercolor paper, I painted the background first, using deep shades of blue-green gouache. Rather than stick to the native color, I decided to make it a little more interesting. For the main flower, I painted each petal separately, selecting bright colors in either opaque gouache or transparent watercolor. To bring out details and create interesting textures in the painting, I blended in strokes of watercolor pencil and pastel to finish it. The painting is mounted on linen, double matted in ivory and framed in a light wood frame. The framed dimensions are 20” x 16”.

front center:

double peony, 2011, watercolor on hot press paper, ©2013 annaporterartist photography by John Telford 2013-03-29

 26 1/2” x 32 1/8” framed

My favorite medium is watercolor and I tried to use the best of its properties in this painting of a double peony from my studio gardens. This magnificent flower bursts into bloom every spring and captivates me anew each year. I began the painting “en plein aire” in my garden in 2011 and finished it in my studio from several detailed photographs at different angles that I took of it when it first bloomed in 2003. I used light and dark washes of transparent color in the background to complement the large central flower. I painted the flower itself one petal at a time, paying attention to the abstract shapes present in each petal, as well as the subtle tone changes. For the center of the flower, I laid in dots of pure pigment to focus attention. 

To join my Facebook Event for the show, please go to: https://www.facebook.com/events/564103313616661/

Anna Porter Artist

Fine Art & Digital Photography

http://annaporterartist.com

[email protected]

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abstraction series-bleeding hearts III, watercolor on hot press paper


abstraction series-bleeding hearts III, watercolor on hot press paper, ©2012 annaporterartist

abstraction series-bleeding hearts III, watercolor on 140 lb. hot press paper, copyright ©2012 annaporterartist. This beautiful watercolor is no. III in a series of four studies of bleeding hearts, each painting progressively more abstracted. Painted on 140 lb. hot press paper, which allows the movement of the water to create beautiful and subtle shapes within the painting, the vibrant colors are perfectly balanced.


The image shown is in a 16:20 aspect ratio due to scanning limitations; however the actual painting has a 15.25:22.25 aspect ratio. The painting is matted in a 1.5 inch off-white matt and framed in a 1/4 inch black metal frame. The framed dimensions are 18" x 24".


Please contact the artist for pricing information at [email protected].

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Anna Porter Artist enters Portrait of a Sultry Lady in the BoldBrush November 2012 Painting Contest


http://faso.com/boldbrush/painting/39870

http://faso.com/boldbrush/painting/39870

The above link is to my November 2012 entry in the BoldBrush Painting Contest titled Portrait of a Sultry Lady, 12-2006, watercolor and pastel on cold press paper. You can read more about this painting here on my website.

If you like this painting, PLEASE GO TO MY ENTRY ON THE BOLDBRUSH PAINTING CONTEST AND PRESS "LIKE" THERE. Please feel free to share the link above with your friends and ask them to do the same.

This painting is available for purchase. For more information please contact the artist at [email protected].

Thank you!!

Anna Porter Artist

Fine Art & Digital Photography

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