Anna Porter Artist - Fine Art

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Fine Artist and Photographer Anna Porter chosen as the October/November Featured Artist at Cascade Sotheby's Lake Oswego


Bluebird Rose of Sharon, digital photography on high gloss aluminum

Lake Oswego fine artist and photographer, Anna Porter of Anna Porter Artist has been chosen as the October/November Featured Artist at Cascade Sotheby's Lake Oswego. The Opening Reception for the artist's solo exhibit will be held on the Third Thursday, October 20, 2016 from 4:00PM to 7:00PM and is open to the public. The exhibit will feature the artist's works of art from nature, including her brilliant watercolor and acrylic paintings and photography from her beautiful gardens, Anna's Gardens, at her home studio in Lake Oswego, Oregon, as well as paintings and photography by the artist from other public gardens in Portland, Oregon, and favorite places throughout the Pacific Northwest. 

 

 

Recently, Anna Porter was one of the participating artists in the Lake Oswego Plein Air Paint Out from September 22-25, 2016.  An annual event sponsored by the Arts Council of Lake Oswego, local Lake Oswego artists paint outdoors "en plein air" at locations throughout the city. Three of her paintings from the event will appear in the Arts Council of Lake Oswego (http://artscouncillo.com)'s Lake Oswego Plein Air Exhibit at 510 Museum & ARTSpace, located at the corner of B Avenue and Second Street in Lake Oswego, Oregon from October 7, 2016 to October 28, 2016. 

 

Many of the artist's works recently were featured in her first showcase in the RAWArtists Portland Showcase VERVE at The Roseland Theater in Portland, Oregon on September 29, 2016. An active member of Oregon Society of Artists, Anna Porter's paintings and photography appear regularly in group exhibits in the Gallery at Oregon Society of Artists in Portland, Oregon, where her stunning abstract realism painting, In Full Bloom, won Best in Show at the 2015 Portland Rose Festival Art Show, and her beautiful ethereal painting, Harmony at Twilight won Honorable Mention at the 2016 Portland Rose Festival Art Show. 

 

 

Anna Porter is thrilled to have the first solo exhibit of her professional artistic career in Cascade Sotheby's beautiful offices in the city of Lake Oswego, Oregon, where Anna has resided with her artist husband, George Porter, for over 25 years, and where the couple raised their only daughter, Christina Lynn Porter, who is currently completing a Ph.D. in Physics at the University of Colorado in Boulder, Colorado.

 

"I am so excited to be able to share my love of nature, and especially the images from my gardens at my home in Lake Oswego, Oregon, where I truly feel blessed to have lived all these years. My hope is that my artwork will help people notice and appreciate the beauty that is all around us, and that they will experience the same sense of awe and tranquility that I do in nature. I hope they enjoy looking at my art as much as I did creating it." ~ Anna Porter

 

Known for her use of vivid colors and a high key palette in her paintings, and the ability to capture brilliant colors and details in her floral photography, the show is sure to brighten the grey days of late October and November frequently experienced here in the Portland area.

 

 

Anna Porter invites you to join her for the Opening Reception of her solo exhibit at Cascade Sotheby's, 310 North State Street, Lake Oswego, Oregon 97034 from 4:00PM to 7:00PM on Thursday, October 20, 2016. The exhibit continues through November 16, 2016 and is open to the public during normal business hours, Monday to Friday 9:00AM to 5:00PM.

 

 

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ANNA PORTER ARTIST AT RAWARTISTS PORTLAND SHOWCASE VERVE ON SEPT 29, 2016


Anna Porter Artist-RAWArtists Portland Showcase VERVE-September 29, 2016

Please join Anna Porter Artist at RAWArtists Portland Showcase VERVE on September 29, 2016!


PURCHASE ADVANCE TICKETS ON MY RAWARTISTS PROFILE PAGE AND SAVE at http://rawartists.org/annaporterartist!

 

 

Roseland Theater

8 NW 6th Ave

Portland, OR 97209

SEPTEMBER 29, 2016

7:00PM TO 11:00PM 


RAWArtists Portland Showcase presents: VERVE 

  • Art
  • Film
  • Photography
  • Music
  • Performance Art
  • Fashion
  • Jewelry and Accessories
  • Hair/Makeup

Portland Artists from every genre under one roof for one night only!

 

PURCHASE ADVANCE TICKETS ON MY RAWARTISTS PROFILE PAGE at http://rawartists.org/annaporterartist

AND RECEIVE A FREE RAFFLE TICKET FOR A LIMITED EDITION FINE ART PRINT!


Advance Purchase Ticket Price: $15.00 plus $2.95 online fee

Door Ticket Price: $20.00

21+ Only Please

 

Your advance ticket purchase on my RAWArtists Profile helps support my participation in the show.

Everyone who purchases an advance ticket through my RAWArtists Profile will receive a free raffle ticket for a fine art print of one of my works featured in the show. Drop by my booth at the Showcase to fill out your free raffle ticket and enter it in the drawing.

 

Thank you kindly in advance for your support! It is going to be a fun evening and I am looking forward to seeing you at VERVE! 

 

Anna Porter

Fine Artist and Photographer

RAWArtists Portland Showcase VERVE

http://rawartists.org/annaporterartist

Contact Anna Porter Artist

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fiji dreams a watercolor by fine artist Anna Porter featured in stirring the waters by Colleen O'Sullivan in Tui Motu Interislands Sept 2015 Issue


fiji dreams by fine artist Anna Porter featured in stirring the waters by Colleen O'Sullivan in Tui Motu Interislands Magazine Sept 2015 Issue

I am thrilled that my painting, "fiji dreams" has been featured in an article titled "stirring the waters" by Colleen O'Sullivan in the September 2015 Issue of Tui Motu Interislands Magazine, an Independent Catholic Monthly Magazine published in Dunedin, New Zealand. In her article, author Colleen O'Sullivan "suggests that Laudato Si' is calling us to stir the waters as in the Bethsaida gospel story so that we will discover and respond to the wonder of our universe."

 

I am both honored and humbled that my painting was chosen for this article celebrating the fragile beauty of this earth that is home to all of creation.

 

"I love nature. The amazing beauty and wonder found in nature is what inspires my paintings and my photographs. I am happiest when I am in my garden, tending my flowers; painting "en plein aire"; photographing trees or painting places of natural beauty. I relate personally and deeply to the call to "stir the waters", and I urge everyone to make environmental concerns a priority in their lives, so that future generations will be able to enjoy all that is glorious around us." ~ Anna Porter Artist

 

 

For more information, please read the introduction that I wrote for a reprint of the article (reprinted with permission) titled Introduction by Anna Porter to "stirring the waters" in the Articles tab on my website. 

 

You can download a copy of the Tui Moto 2015 September Issue 197 PDF on the Tui Moto Interislands Magazine 2015 Issues 190-200 page (scroll to the bottom of the page).

 

To subscribe to future editions of Tui Motu InterIslands Magazine, please visit Tui Moto Interislands Magazine.

 

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Using iOS apps to create new works of art aka How I created Death of a Dahlia Abstracted


death of dahlia abstracted, digital painting in superphoto and aviary, copyright 2014 Anna Porter Artist

One of the really fun things about smartphones and tablets is the plethora of new digital photo editing and painting applications that are available to turn your digital photographs or photos of your paintings into new interesting works of digital art. Two of my favorite applications are SuperPhoto by Moonlighting.io and Aviary's Photo Editor. I use both apps on my Apple iPhone 5, and they are both available on Apple's new iPhone 6/6s as well. This blog post shows step by step how I took a great digital photograph of a dead dahlia blossom with my iPhone 5 camera and turned it into a finished piece of abstract art in literally a few minutes.

 

To create this piece, I first took a digital photograph of a dead dahlia blossom that I saw on my daily dog walk. I liked the textural nature of the dead petals and felt a pang of sorrow at its passing. Just a couple days before I had taken a digital photo of its sibling in full bloom in all of its shining glory.

 

Step 1 - Take a great digital photo.

 

Death of a Dahlia, original digital photograph by Anna Porter Artist.

 

In this case, I took the photo with my iPhone 5 because that is what I had with me at the time. Had I been on a walkabout with my Canon EOS Digital Rebel, I could just as easily have taken this image with my DSLR camera, although getting it to my iPhone 5 to use my iOS photo editing apps would then take a couple more steps. I would first have to transfer the image from my DSLR camera to my Apple iMac computer using Image Capture, iPhoto or Aperture, and then share it with my iPhone 5 using Apple's iCloud service, or save it to my Dropbox or something similar, so that my iPhone 5 could access the image.

 

While I really liked this digital photograph in and of itself, I decided that I would play with it a little in SuperPhoto to see what else I could create. When I got back to my studio, I opened the SuperPhoto app on my iPhone 5 and selected "New Additions" from the list of possible filters and effects. You can download the SuperPhoto app for free in the Apple iTunes Store. You can purchase an incredible number of special effects from within the SuperPhoto app, and Moonlighting.io comes out with new effects on a regular basis. Or you can use some of the basic effects that come with the free app. There is a very creative group of developers over at Moonlighting.io and the sky is the limit in terms of what you can do by layering different effects in SuperPhoto (and SuperPhoto is only one of the many applications offered by Moonlighting.io).

 

To create this piece, I opened the SuperPhoto app on my iPhone 5 and selected the SuperPhoto "Shattered" Effect. 

 

Step 2 - Open the SuperPhoto app, select the Shattered Effect and the photo that you want to use it with:

 

 

Step 3 - Depending on which Superphoto effect you choose, you will either be given the opportunity to "paint" a part of the original digital photograph that you want to edit using the pencil and eraser tool (Step 3), or SuperPhoto will begin working its magic on the whole image (Step 4). In this case, I was presented with the "Paint your selection" screen below. You can be as finely detailed as you need to be in order to select the part of the image that you want to "paint"  by varying the size of the pencil or the eraser (use the slider with the round white button at the bottom of the screen to change the size). Then simply use your finger to paint the part of the image that you want to use.  If you overstep your boundaries, you can use the eraser tool to remove the unwanted "painted" area. Press the checkmark in the upper right corner of the screen when you are finished.

 

 

Step 4 - Wait a few seconds while SuperPhoto spins its magic. A lovely butterfly flaps its wings letting you know that your photo is undergoing metamorphosis and is about to be transformed. 

 

 

It took about 1.5 seconds to process this edit on my 64 GB iPhone 5 running iOS 8.0.2. ( I had to snap that screenshot fast!)

 

Step 5 - SuperPhoto Shattered effect applied to my Death of a Dahlia Et voila!

 

 

Nice work, but I wanted to heighten the colors a bit. So I saved the newly created SuperPhoto image back to my camera roll on my iPhone 5. I could have applied another effect within SuperPhoto to do this, but instead I decided to use the Aviary Photo Editor app on my iPhone 5. In addition to pre-packaged effects, Aviary has an easy-to-use advanced image editor and text editor so you can sign your artwork in the app.

 

Step 6 - Save the new SuperPhoto creation to your device.

 

 

At this point I could have shared my new creation using the SuperPhoto Share option, or submitted it to SuperPhoto's User Creations gallery to be considered for a feature on Moonlighting.io.  But because I still wanted to work with the image a little more in the Aviary Photo Editor on my iPhone 5, I instead chose to save the new creation to my iPhone 5's camera roll by selecting Save.

 

Next I opened the Aviary app on my iPhone 5. The Aviary app immediately goes to your camera roll by default to let you upload a photo for editing. You can tell it to go to other albums by pressing the album button at the bottom of the screen, or you can take an original picture with the camera button at the bottom of the screen. I selected the SuperPhoto creation that I had just saved to my camera roll. When you download the Aviary app from the Apple iTunes App Store, it comes with a several original effects for customizing your photos, as well as simple and advanced editing tools. You can purchase additional effects, frames, stickers and bundles from within the app. I really liked what I did already with the SuperPhoto app, so I just used the simple Enhance options at the bottom of the Aviary Photo Editor screen.

 

Step 7 - Open Aviary app and select the SuperPhoto creation from the camera roll.

 

 

Step 8 - Select Enhance from the Photo Editor main menu at the bottom left of the next screen that appears.

 

 

Step 9 - Select the Enhance effect that you want to apply to your image:

 

(a) Hi-Def

(b) Scenery

(c) Food

(d) Portrait

(e) Night

 

 

From left: Step 9 - Enhance options (a) to (e) applied to my SuperPhoto creation.

 

For this image, I really liked Option 2 - Enhance Scenery, so I selected it and then pressed Apply at the top right of the Aviary screen. As I am writing this article, Option 5 - Enhance Night is also calling to me, and so I think I will return to the app and save that version at a later time as well. Had I chosen Effects, Frames or Stickers instead of Enhance, in Step 8 above, I could have applied any of the myriad of effects, frames or stickers that either came with the Aviary app, or that I purchased later from within the app. All of these effects can be applied at the press of a button and the Aviary Photo Editor provides an instantaneous preview of the edited artwork.

 

One of the things that I love about the Aviary Photo Editor is that it not only has great filters and effects that you can easily and quickly apply to your photos, it also has an advanced image editor and text editor built into the app, so you can do more complicated edits like:

 

▪️ adjust the brightness, contrast, warmth and saturation

▪️ improve the sharpness

▪️ change the orientation

▪️ crop the image to several standard sizes or a custom size

▪️ alter the focus of the image with a radial or linear tool

▪️ create a color splash by removing all color in the image and painting the color back in selected areas

▪️ whiten (bleach) selected areas

▪️ fix a blemish or remove red-eye in a portrait, or de-emphasize an area by blurring it, PLUS

▪️ you can sign your newly created artwork right in the app without having to export it elsewhere for text editing.

 

Step 10 - Select Text from the Aviary Photo Editor main menu.

 

Since I was happy with the heightened colors provided with the Enhance - Scenery effect, all that was left to do was sign my new masterpiece, so I scrolled the main menu at the bottom of the Aviary Photo Editor screen to the right by swiping my finger to the left, and selected Text.

 

 

Step 11 - Once in the Text Editor you simply use the options from left to right to:

 

(a) choose your text font

(b) choose your text color

(c) enter your text

(d) position your text by dragging it where you want it to appear; and

(e) size your text by sliding the white button with the double arrow on it.

 

From left: Step 11 - Aviary Text Editing Options (a) to (e) above.

 

Then simply press Apply at the top right on the screen to apply the text to your photo, then Save to save your finished work.

 

Step 12 - Apply text and save Photo.

 

 

 

Step 13 - Share your new artwork.

 

When you press Save, the Aviary app brings up the Share screen that allows you to share your artwork on social media (Instagram, Facebook, Twitter), email it to a friend, print it at Walgreens, send it in a Text Message, etc. If you want to save your new creation to the camera roll, simply press Done.

 

 

Step 14 - You did it (or in this case I did it)!

 

 

Death of a Dahlia Abstracted, digital painting created in Superphoto and Aviary from a photo of a dead orange dahlia blossom near my artist gardens, annasgardens. 

 

Fine art prints of Death of a Dahlia Abstracted  are available for purchase in my Fine Art America Gallery in various sizes, printed with archival inks on acid-free stretched canvas and fine art papers to create museum quality works of art that last a lifetime. Choose from prints on professionally stretched canvas, acrylic, metal, fine art papers (framed or unframed), greeting cards, and iPhone and Samsung Galaxy smartphone cases. Prices start at $22.56 for an 8 x 8 inch unframed fine art print on luster photo paper, not including shipping. Various sizes up to 36 X 36 inches are available for this image.

 

Please click on this link: http://fineartamerica.com/featured/death-of-a-dahlia-abstracted-anna-porter.html for a complete list of products and prices. You can also download the PDF Sales Sheet for Death of a Dahlia Abstracted. 

 

 

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Anna Porter will be at Oregon Society of Artists this Sunday 09-22-2013 1-4P to discuss her painting, Textural Plantings, in the 2013 Fall Juried Show


Textural Plantings, watercolor and watercolor crayon, copyright 2013 annaporterartist

Anna Porter, Fine Artist and Digital Photographer, will be sitting the Gallery at Oregon Society of Artists this Sunday, September, 22, 2013 from 1:00PM to 4:00PM! Meet the artist to view and discuss her painting, textural plantings, watercolor and watercolor crayon, and get a personal tour of all the beautiful artwork on display in the 2013 Fall Juried Show! Mark your calendar! 

Note from the Artist:

I am so thrilled and excited that my watercolor and watercolor crayon painting, textural plantings, was accepted into the 2013 Fall Juried Show at Oregon Society of Artists, 2185 S.W. Park Place, Portland, OR 97205. Gallery hours are Tues. to Sun. 1:00PM to 4:00PM (closed Mondays and holidays). Show runs from 09-08-2013 to 10-03-2013. Hope to see you this Sunday afternoon 09-22-2013! I am looking forward to meeting you at the Gallery at Oregon Society of Artists, where I will be available to discuss my painting in more detail and answer any questions that you may have. I am also delighted to be able to give you a personal tour of all the beautiful artwork on display in this year's 2013 Fall Juried Show at OSA! Don't miss it! 

This original painting is available for purchase $500.00 USD. Contact [email protected] for more information.

A poster for the painting is available for purchase in my Instacanv.as Gallery here:

http://instacanv.as/annaporterartist/piece/538769493010568782_33853476

Anna Porter

Anna Porter Artist

Fine Art and Digital Photography

email: [email protected]

website: http://annaporterartist.com

prints: http://instacanv.as/annaporterartist

facebook: https://facebook.com/AnnaPorterArt

instagram: http://instagram.com/annaporterartist

pinterest: http://pinterest.com/AnnaPorterArt

twitter: http://twitter.com/AnnaPorterArt

art blog: http://annaporterartist.com/blog

photography blog: http://annaporterartist.tumblr.com

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double peony, watercolor by Anna Porter Artist is on display at The Prichard Art Gallery, Moscow, ID


double peony, an original watercolor painting by Anna Porter Artist

Previously shown at the Oregon Society of Artists Gallery for the month of December, 2012 as part of the group show Works on Paper, I am pleased to announce and honored that my painting, double peony has been accepted into the Palouse Watercolor Socius 2013 juried four-state watercolor competition held at the University of Idaho Prichard Art Gallery (gallery shown top right in the photo below), where it is available for purchase. One of 36 watercolor paintings submitted by artists from Idaho, Oregon, Washington and Montana, double peony can be viewed at the Prichard Art Gallery from June 13, 2013 through August 3, 2013.

 

Gallery Hours:

Regular Hours: Tuesday-Saturday 10am-8pm; Sunday 10am-6pm
Summer Hours: Tuesday-Thursday 1pm-6pm; Friday 1pm-7pm; Saturdays 9am-3pm

 

This painting is also featured on the poster for the show shown below:

 


 

A little more about the inspiration for this painting:

 

Every year I wait for this beautiful red double peony to bloom in my garden. It arrives by late April or early May and never ceases to amaze me with its vibrant color, the size of its blossoms, fully 6 inches in diameter, and the beautiful frilly petals that, when fully opened, allow me to peek inside. I began the painting of  double peony in 2011 "en plein aire" in my garden and finished it in my studio from several photographic studies that I did of it when it first bloomed in 2003. It remains as vibrant in my garden in 2013 as it did then. I painted the background first - lightly sketching the abstract shapes to represent the leaves, then I applied water to the blue areas and dropped in different mixtures of deep blue, letting the colors mingle to create depth and variety. I painted some of the leaves wet in wet and others I painted individually with light washes of pastel color, leaving white space as needed. Finally I painted the abstract shapes inside each petal of the double peony by layering different hues of pink, red and magenta to accentuate the vibrancy of the peony. To create focus at the center, I built up dots of pure watercolor applied with very little water, leaving bits of white.

 

This painting stands out in a crowd and draws your attention. Its vibrant color, contemporary style and elegant black frame and white matte give modern feel to a natural painting. It is one of my favorite paintings that I have done thus far in my career. For more information, please contact The Prichard Art Gallery directly through August 3, 2013:

 

Roger H.D. Rowley
Director, Prichard Art Gallery

phone: (208) 885-3586
email:[email protected]

 

After the exhibit, you can view my original painting double peony watercolor framed on my website.

 

 

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Painting from the Subconscious - Faces in my Vegetable (work in process)


Faces in my Vegetable, 2013, acryllic (work in process)

Faces in my Vegetable, 2013, digital collage

I started a new painting class this past Saturday - a Christmas gift from my daughter who noticed that since I stopped taking art classes four years ago (due to time constraints from working two jobs and budget constraints from the recession), my painting production had slowed to a snail’s pace, even though I had created a small studio at home expressly for that purpose. I was very grateful for the class, but also intimidated. I had not taken a college-level painting class in such a long time and it was in a medium that I do not usually use - oil or acrylic. I am a watercolor artist and digital photographer. Occasionally I throw in a little golden fluid acrylic, pastel or collage in my paintings for variety, but I paint like a watercolor artist. And the process for painting in watercolor is different from the standard painting process.


But I found that I adapted very well - at least in the class. The first assignment was to paint a monochrome tone study of an object in black and white, something I never do as a watercolor artist, because I avoid both black and white like the plague when painting in watercolor. When I do rarely use black, I find it is better to mix it from the colors on my palette instead of using black out of the tube - that way the resulting black has much more depth and is more interesting, and for white I leave the white of the paper. I also love color, so I rarely do monochrome tone studies unless it is for an assignment or a special request.


My Vegetable, digital photograph (set up for painting)

Little did I know that the subject for my painting, an innocuous looking squash-shaped thing with skin that looked like a potato, would turn out to be a possessed vegetable and prove to be one of the most difficult things that I have ever tried to paint. I set up my vegetable on a desk to the right of my easel. I placed it at about a 30 degree angle pointing away from me to the left, so that it was foreshortened somewhat, and the large bottom looked even larger than it was. Because I almost never finish a painting in one sitting - a production artist I will never be - I took some photos of my vegetable, so I could finish the painting in my home studio. And that is where the fun (NOT) began …


When I tried to finish the painting from the photo instead of the actual vegetable, I just could not do it. Every stroke looked wrong. My original drawing seemed way off. I tried again and again and finally, frustrated and furious, I broke down and had a full fledged temper tantrum on it. I painted it out to start over again from scratch, something I rarely do. Usually I will keep working through a difficulty in a painting. Or stop and look at it another day, when I either see what the problem is, or I find something to like about it in its present form. Sometimes in watercolor I will wash off a painting or an area of a painting, when I overdo it; but then a faint underpainting remains as a guide. Acrylic, however, does not wash off once it has dried, and my wounded ego wanted to obliterate the source of my frustration. So obliterate it I did.


Discouraged and heartbroken, but refusing to end the day defeated, I took some pastels and tried laying in a drawing for Vegetable #2, this time having to paint it solely from the photograph of my vegetable. Had I been thinking more clearly I would have realized that painted board does not have the tooth to hold pastel, but I was not thinking terribly clearly at the time and I was determined. I drew and drew, but I could not get the drawing in perspective. Finally, exhausted from six hours in painting class and another six-eight hours of painting and re-drawing at home, I gave up, used fixative to set my drawing in the stage that it was at, and decided to sleep on it.


Faces in my Vegetable, pastel on painted clayboard (drawing for painting)

The next morning I got up and looked at my drawing, and there, plain as day, were two faces in my vegetable, one looking straight out at me and one looking backwards. I had not been aware of any faces the night before when I put down the pastels and went to bed. Even though I could now see what I needed to do to correct the drawing (it is amazing what a little sleep will do for that!), I decided to go ahead and paint what I had. I figure those faces must need to be seen. I have no clue why. But seen they will be. And so I began painting anew to see where this two-headed potato-squash thing would lead me.

For the new painting, I decided to paint only what I saw in my drawing and not to refer back to my original photograph. To me the painting was now about the faces that I saw there, and not about the vegetable vessel. Since I  had used up all of my Titanium White and Ivory Black in my previous attempt, this time I used Golden Fluid Acrylic Paynes Grey and Zinc White, Pearlescent White Pearl Liquid Acrylic and Golden Fluid Acrylic GAC 700 medium. I painted the darkest darks first, applying the paint directly on top of the pastel drawing on the painted clayboard. For the darkest areas I used Paynes Grey only mixed with a little GAC 700 medium. I mixed pure Zinc White with a little White Pearl to paint in the lightest lights. Next I created a tone range from Dark Grey to Mid-Grey to White by mixing the Paynes Grey with varying amounts of Zinc White and White Pearl. I used these mixes to paint in the rest of the painting, adding more or less GAC 700 medium, depending on the transparency that I wanted to achieve. Because the vegetable was cylindrical, I tried to make my brushstrokes follow the outward curve of the cylinder to give it more dimension.

Faces in my Vegetable, 2013, acrylic (work in process)

My final steps will be to add another semi-transparent layer for smoother blending in some areas of the painting, and perhaps to add one or more transparent layers of mottled skin to my vegetable, now that the faces in it are firmly entrenched. On the other hand, I may decide to follow the course that I stated at the outset of this second painting and make it solely about the faces that I saw in my vegetable, without concerning myself with the outer appearance of the vessel. For that reason, this artwork is still a work in process. When it is complete, it will become available for purchase on my website at http://annaporterartist.com. Check back on my website to see the final painting.


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